The Remotest Settlement examines the layered history of a small Bahamian community shaped by Irish and Scottish migration and colonial history.
Through shoreline structures, boats and the routines of daily work, the photographs observe how identity settles and adapts within a new landscape.
The images focus on ordinary forms — houses, jetties, tools, coastline — that hold traces of movement and settlement.
This is a place shaped by migration, memory and endurance, where histories remain present in everyday life.
